FULL CHRONOLOGY
OF WORKS:

POETRY

 

2018

Harvard Review
“Walking then Down the Droveway” 

Birmingham Review
“The Chillingham Cattle”

Literary Review
“Elegy to David Bowie”
“On Seeing a Drawing of a Tomb on my Fiftieth Birthday,”
“Sparrow’s Song”
"Clear as a Bell in the Cool Green Liar”

2017

Boston Review
“To the Piano Burning on the Beach"

Denver Quarterly
“Back in the Province Lands”

Bennington Review
“We Washed our Napkins at the Soda Lake”

2015

The Literary Review
“Making Jelly”
“I Walk from Steeple to Steeple“
"Coal Piles”
“Called Back”

Hinchas
“Rare as a St. Kilda Wren”
“To the Saugatuck River”
“Graveyards of Nantucket”

Ladowich 4
“The Trunholm Chariot”
“The Long House” 

Fence
“We Went Hunting of an Evening”
“By Order of the Eastern Star”

2013

The Paris Review
“The Wasps’ House” 

 

2011

The Winter Anthology
“The Train”
“Iron Water”
“The Marble Head”

2010

Reconfigurations
“The Rocking Horse”

Asheville Poetry Review
“I Went to the Ocean to Redeem My Gifts”

2009

Hampden-Sydney Poetry Review
“One Bee Escapes”
“The Marble Head”
“The Owl and the Peacock”

Cortland Review
“The Ladder”
“These Winter Gardens”

2008

Lit
“In the Garden, on a Cold, Cold Night”

Fence
“The Atlantic House”

 

2007

The Paris Review
“Was Not Trusted; Was Not Taught”
“A Stone Should Mark the Place” 

2006

Pool Poetry Journal
“Iron Water”

American Letters & Commentary
“The Mirror,” “To a German Equestrian” 

The Literary Review
“The Willow Is a Place from which to Speak”
“Docked in the Sun and the Cold Wind"

2004

Fence
“Ridership”
“Forever”

2003

Field
“What I Saw and What It Said”

New Letters
“The Scales”
“The Imperfect”
“The Carousel Horses”

Northwest Review
"A Child Named Murder”

 

2002

Shankpainter
“To the Wind, She Said”

The Journal
“The Woods”

1998

Fence
“On Sin”
“The Rubber Ball”

1997

Gargoyle
“The War Horse”

1995

Antioch Review
“Rose Garden” 

Phoebe
“Birds as Memory”

Exquisite Corpse
“The Ruin”
“The Birds”
“Aluminosis”
“The Masks”
“Peacock”

 

1990

Columbia Magazine of Poetry and Prose
“Peacock as Divinity"

 
 

 

ARTICLES, ESSAYS,
INTERVIEWS, REVIEWS

 

2018

Private Photo Review

"The Vanishing Murals of Bed-Stuy"

2017

Private Photo Review
“A Street Mural Examines Modern Slavery”

Scoundrel Times
“The Double Punch: Trumpian Violence VS. NYPD Patriarchy"

2016

Hinchas de Poesia
“Municipal Ruins and Scared Waterholes in Brooklyn, New York"

2011

Hampden-Sydney Poetry Review
“4 Questions for 4 Poets,” featured poet

Skyway
“Achin’ To Be: From Valéry to Westerberg” (unpublished) 

 

2008

Robb Report
“Connoisseur’s Guide to Buying Fine Art and Antiques”

2006

Self
“Mere Mortals Can Be Philanthropists Too”

Skyway
“Paul Westerberg as Metaphysical Poet: You Take the Skyway” 

New York Observer
“Arbitragedy: A Hedge Fund Poet’s Bittersweet Lament” 

Robb Report
“A Tea Set Fit for a Throne: The Westinghouse Tiffany Mixed-Metal Tea Service”

2005

New York Observer
“French-Canadian Christmas Tree Salesmen Make Holidays Worth It”
“House of Horrors: Pet Shop as Vision of the World”
“Fave Icky Obsessions Bad for Finding Love”
“Condé Nast Lust”
“My Chanel Suit: Nipped, Tucked, Bonjour Lefty Couture!”
“It’s a Cat, It’s a Kid, It’s Catbaby”

Worth
“The Silver of Georg Jensen: Passion Investments” 
“Horses for Courses: When Your Child’s Horse Also Goes to College” 
“To Insure or Not to Insure Your Danish Warmblood”
“Protect Your Art Collection the Interpol Way” 

Self
“Is Supermarket Sushi Safe? See if It’s a Raw Deal” 

 

2004

Worth
“The Art of Giving It Away: Deaccessioning Major Art Collections”

Glass Quarterly
“George Thompson’s Casacde Wall: A Steuben Installation” 

 

2003

New York Times Magazine
Interview with Billy Collins
Interview with Randall Kennedy

New York Times Home Design Magazine
“Glass Reunion: A Steuben Glass Exhibition” 

Tin House
“Marilynne Robinson: An American Scholar”

Contemporary Poetry Review
Review of Berryman’s Shakespeare, by John Haffenden

The Nation
“Tamms Correctional Facility: Security or Psychological Torture?” 

Self
“Are You Covered?” 

2002

Marie Claire
“Women Who Can’t Go Home” 

2001

Marie Claire
“Sold into Sexual Slavery” 
“These Women Were All Raped” 

Harper’s
“Cruel and Unusual Punishment” 
“Trading Up” 

2000

Civilization
“Rhyme Schemes”

 

1998

American Benefactor
Two columns on corporate philanthropy

Fence
“My eyes have seen what my hands did” 

1997

Boston Phoenix Literary Review
“Whirled Order,” review of Jane Mead and Joshua Clover

Reader’s Catalog
Reviews of So There, by Robert Creeley and On the Stair, by Ann Lauterbach

Salon
“Publish and Perish: Overqualified and Grotesquely Underpaid—Publishing Industry Serfs” (written under the name Morgan Cast)

New York Press
Review of Diaries: Volume I, 1939–1960, by Christopher Isherwood